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Haig Acterian (also known under his pen name Mihail; March 5, 1904–c. August 8, 1943) was a Romanian film and theater director, critic, dramatist, poet, journalist, and fascist political activist. Alongside Mihail Sebastian and Camil Petrescu, he is considered one of the major Romanian theater chroniclers in the interwar period.〔 Acterian was also noted for his friendships with the writer and historian of religions Mircea Eliade, the philosopher Petre Țuțea, and the British dramatist Edward Gordon Craig. He was married to actress Marietta Sadova (who had earlier been the wife of Ion Marin Sadoveanu).〔"Haig Acterian în prag de centenar", in ''Ararat'', Nr. 284-285〕 ==Biography== Born in Constanța to an Armenian-Romanian family, he was the brother of Arșavir Acterian and Jeni Acterian. Haig studied at the Mircea cel Bătrân High School in his native city, then attended the Spiru Haret National College in Bucharest.〔Tavitian〕 He made his literary debut in the school magazine, ''Vlăstare'', with pieces which caught the attention of his colleague, Mircea Eliade.〔 Acterian befriended Eliade during their school years.〔Arșavir Acterian, in Handoca; Tavitian〕 It was also then that he has included him as a character in Eliade's debut work, the ''Novel of the Nearsighted Adolescent''. After his stay in British India, Eliade dedicated his novella, ''Isabel and the Devil's Waters'', "To my friend Mihail and the blind woman Lalu" — Lalu being one of Eliade's acquaintances from Calcutta.〔Mircea Eliade, ''Isabel și apele diavolului'', Editura Scrisul Românesc, Craiova, 1990 (title page)〕 Upon graduation, Acterian enrolled at both the University of Bucharest Faculty of Philosophy and the Conservatory of Dramatic Art, where he studied drama and comedy under Lucia Sturdza Bulandra.〔 He completed courses at the Conservatory in 1926, and made his debut in poetry, in 1929, with a selection titled ''Agonia'' ("Agony").〔 Acterian also completed work on a short play, ''Dialog între închipuiri'' ("Dialog between Apparitions"), in which he reinterpreted the ''Meșterul Manole'' legend, one of the central pieces in Romanian mythology, from a Christian perspective.〔 In 1930, Acterian traveled to Berlin, where he closely followed developments in German theater, and came to admire the achievements of the locals Max Reinhardt, Heinz Hilpert, Erwin Piscator, Karlheinz Martin, as well as those of Soviet director Vsevolod Meyerhold.〔 Upon his return, he staged R. C. Sherriff's ''Journey's End'' (translated into Romanian as ''Călătoria din urmă''), receiving critical acclaim.〔 Among others, it starred Tony Bulandra.〔 Soon after, Acterian began contributing to ''Vremea'' magazine, where he wrote his first portrait pieces of modern theater directors and actors, and held a conference on Romanian theater (for a foundation sponsored by King Carol II).〔 Between 1932 and 1934, Haig Acterian was scenic director for the Bucharest-based Ventura Theater.〔 He was by then heavily influenced by the classical works of William Shakespeare and Aeschylus, but practical constraints prevented him from staging them.〔 He directed a series of other plays, including one by George Bernard Shaw.〔 Around that time, he became good friends with Petre Țuțea, who was taking an interest in the world of theater.〔Alexandru Popescu, ''Petre Tutea: Between Sacrifice and Suicide'', Ashgate Publishing, Aldershot, 2004, p.208. ISBN 0-7546-5006-5〕 Initially a communist (like Mihail Polihroniade),〔〔Ionesco, in Ornea, p.184; Ionel Jianu, in Petreu ("Politizarea: trei cai")〕 Acterian contributed articles to ''Bluze Albastre'' (a literary magazine published in 1932, with backing from the Communist Party of Romania).〔 He affiliated with ''Amicii URSS'' ("Friends of the Soviet Union"), a loose grouping of left-wing intellectuals which was created and disbanded in 1934.〔Cioroianu, p.114〕 Later in the same year, he traveled to Italy, and trained in filmmaking at the Cinecittà in Rome.〔〔 Acterian took part in the Volta International Theater Conference, and reported on it for ''Vremea''.〔 Over the following year, he traveled to France and Switzerland, briefly residing in Paris and Geneva; this sojourn was the topic of a diary, published later.〔 With Eliade and others, Acterian was a founding member of the ''Criterion'' literary society.〔Arșavir Acterian, in Handoca〕 Rejecting his early political ideas, he soon became a disciple of Nae Ionescu and ''Trăirism'', and later a supporter of the far right Iron Guard movement. In 1936, Acterian completed his ''Pretexte pentru o dramaturgie românească'' ("Themes for a Romanian Dramaturgy"), with a preface by his friend Edward Gordon Craig, and published a volume of poetry, titled ''Urmare'' ("Follow-up").〔 The following year, he completed a lengthy essay, published under the title ''Orientarea Teatrului'' ("The Direction of the Theater").〔 He also wrote several works on the first Romanian monograph on Shakespeare (1938),〔〔 and an essay titled ''Limitele Artei'' ("The Limits of Art", 1939).〔 Also in 1939, Acterian produced and directed two documentary films: one on the Bucharest industrial plant of Nicolae Malaxa (''Fabrica Malaxa''), and the other on the Apuseni Mountains (''Munții Apuseni'').〔 As a journalist, Acterian contributed propaganda for the 1940 Iron Guard government, the National Legionary State, and served as head of the National Theater Bucharest.〔〔Hannelore Müller, ''Der frühe Mircea Eliade'', LIT Verlag, Berlin-Hamburg-Münster, 2004, p.101. ISBN 3-8258-7525-3〕〔Ornea, p.186〕 In this capacity, he founded, together with George Franga, the National Theater's Museum.〔 In February, he also organized the premiere of ''Iphigenia'', a play by his friend Eliade, who was at a time living in London.〔 Haig Acterian was arrested when the Guard violently clashed with Ion Antonescu's forces in January 1941 (''see Legionnaires' Rebellion and Bucharest Pogrom''), and detained until after Operation Barbarossa (the German invasion of the Soviet Union, to which Romania contributed as an Axis country; ''see Romania during World War II''). Acterian, like other prisoners, was offered the choice of remaining in prison or joining the war effort as a soldier on the Eastern Front; he was declared missing during battles in the Kuban, and was probably killed at that time.〔〔Ornea, p.219〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Haig Acterian」の詳細全文を読む スポンサード リンク
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